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COPY PASTE VIDEO TEATER SAE DALAM KERJA POLITICAL DRAMATURGY DAN REENACTMENT DALAM KERJA SUTRADARA

IKONIK : Jurnal Seni dan Desain

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Title COPY PASTE VIDEO TEATER SAE DALAM KERJA POLITICAL DRAMATURGY DAN REENACTMENT DALAM KERJA SUTRADARA
 
Creator Hafifi, Hoirul
 
Subject copy paste video; teater sae; artery performa; dramaturgi baru, reenactment; video dokumenter; political dramaturgy.
 
Description Artikel ini membahas copy paste video Teater Sae yang dilakukan Artery Performa pada senin, 8 Juli 2019 di Graha Bakti Budaya, Taman Ismail Marzuki dalam Djakarta Teater Platform merupakan cara kerja dramaturgi baru, yang mendudukkan kerja operasi sistem gagasan ke atas panggung merupakan kerja riset terhadap hubungan gambar dan estetika yang sudah menjadi arsip dalam tataran sinematografinya, maunpun reenactment dalam kerja penyutradaraan. Bukan kerja bentuk yang sama persis dengan video; tetapi lebih kepada usaha pencapaian dalam memberikan spektrum kerja performativitas yang berlapis-lapis antara arsip dan medium, antara estetika dan teknologi, juga perbedaan kodifikasi makna berdasarkan konteks arsip. Selain itu, konteksnya bagaimana memperlakukan video dokumenter yang di-copy paste dalam analisis teks, makna, dari aktor-aktor masa lalu ke arah tekstual hari ini yang bisa memiliki perbedaan dan persamaan dari beragam perspektif, termasuk pada ranah politik dalam Teater Sae, yang muaranya dilakukan oleh Dendi Madiya dalam Political Dramaturgy.This article discusses copy paste of Teater Sae video conducted by Artery Performa on Monday, July 8, 2019 at Graha Bakti Budaya, Taman Ismail Marzuki in Djakarta Theater Platform is a new dramaturgy way of working, which puts the work of the idea system operation on stage is a research work on the relationship pictures and aesthetics that have become archives in the cinematographic level, and reenactment in directing work. Not working the exact same shape as the video; but rather the effort to achieve in providing a spectrum of work performance in layers between the archive and the medium, between aesthetics and technology, as well as differences in the codification of meaning based on the context of the archive. In addition, the context is how to treat documentary videos that are copied and pasted in the analysis of texts, meanings, from past actors in the textual direction today that can have differences and similarities from various perspectives, including in the political sphere in the Sae Theater, which is done by Dendi Madiya in Political Dramaturgy.
 
Publisher LPPM Universitas Maarif Hasyim Latif
 
Contributor —
 
Date 2020-07-29
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
 
Format application/pdf
 
Identifier https://e-journal.umaha.ac.id/index.php/ikonik/article/view/741
10.51804/ijsd.v2i2.741
 
Source IKONIK : Jurnal Seni dan Desain; Vol 2, No 2 (2020): JULI 2020; 115-120
2685-4260
2685-2780
 
Language eng
 
Relation https://e-journal.umaha.ac.id/index.php/ikonik/article/view/741/586
 
Rights Copyright (c) 2020 Hoirul Hafifi
http://creativecommons.org/licenses/by/4.0